Following on the heels of The Chords, The Crew-Cuts also released a version of the song in 1954 and they went one better in the August when they soared to the No. Such was the popularity of the song that The Chords even added some new words to it and used it as a to promote Robert Wagner, who was running for the Mayor of New York City, in his first election campaign. 215 on their 500 Greatest Songs of All Time. This would be the only time the group would achieve chart status, but Rolling Stone have named it their No. 2 in the pop charts and No.5 on the R&B chart. It was first recorded that year by The Chords as a B-Side to “Cover of the Cross” which had been a hit for Patti Page and it would become their only hit when it reached No. ![]() The “sh” was added to it to make it sound like the noise from a nuclear explosion, that was a fear paramount in the thoughts of Americans at the time, the “alangala alangala” emanated church bells, and the rest of the song was spent giving out the message that everything was OK and life could be good. Written and published by members of the Bronx group, The Chords, in 1954, this nonsense song is often referred to as the first Doo-Wop song that would become a popular success and has been said to be the first time that a white audience would experience a black R&B song.Īccording to James Keyes, who was a co-writer and member of The Chords, it began its life being written in the back of a Buick and the word “boom” was slang used regularly by the kids of the neighbourhood when they were talking to each other. ![]() (James Keyes/Claude Feaster/Carl Feaster/Floyd F.
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